Digital Cinema Equipment Package
Rocky Mountain 4K has put together a base digital cinema equipment package ideal for indy film production, but configurable for commercials and other projects that are budgeted to go the extra mile. Contact us for a quote on your specific project.
Camera Package
- Red One camera body (PL and Nikon mounts)
- Full Red Cage and cradle with 19mm, 15mm and 15mm lightweight support
- LCD Monitor (5-inch)
- EVF (Electronic View Finder)
- Red Drives (2) and 8GB and 16GB CF cards
- Red batteries (2) and charger (with AC adapter)
- Arri baseplate with 15mm rods (for use with 15mm Arri accessories)
- Red baseplate with 19mm rods (for use with 19mm Arri accessories)
- Custom baseplate for use with 15mm lightweight accessories
- Lightweight two-stage mattebox (4x4)
- Lightweight Follow focus
- Viewfactor Origo remote start/stop and speed ramp switch
- Series 9 80D and ND/IR filters
Lens Package (Nikon mount)
The new Carl Zeiss T* lenses feature a large rotary angle of the focusing ring, allowing for the precise follow-focus mechanism familiar to anyone accustomed to cine lenses. We've equiped them with gearing for use with standard follow focus mechanisms. Classic Carl Zeiss glass ensures sharp, crisp pictures.
- Zeiss Distagon T* 28mm/2.0
- Zeiss Distagon T* 35mm/2.0
- Zeiss Planar T* 50mm/1.4
- Zeiss Planar T* 85mm/1.4
We've also got assorted Nikon lenses and zooms (use as variable primes):
- Nikon 17-35mm/2.8 ED zoom
- Nikon 105mm
- Nikon 180mm/2.8
- Tokina 80-200/2.8
- Tokina 28-200/3.5-5.3
A full range of PL-mount lenses (Super Speeds, Ultra Primes, Cookes, etc.) is available as needed.
Assorted 4x4 and Series 9 filters, as needed.
Other Film Production Equipment
Rocky Mountain 4K can provide additional film / video production resources in addition to the camera and lens packages. We've got an assortment of basic motion picture support equipment (standard and baby tripods, high-hat, heads), plus more esoteric support gear (lightweight remote head, rigging, etc.)
- HD monitor (Panasonic 17" BT-LH1700WPJ)
- Apple Macintosh MacBook Pro
- Backup disk drives
- Portable lighting and grip kits
- Assorted other film and video equipment (lightweight dolly, lightweight jib, etc.)
What About Zooms?
RM4K has configured a package for budget-concious filmmakers - making use of expensive still camera lenses, rather than even more expensive PLs. These lenses, particularly the Zeisses, are still crisp and contrasty and equal in optical quality and speed to the best PLs - it's Carl Zeiss glass after all.
But zooms made for still cameras are not made to hold focus through a zoom. It can be done, but that capability means a very, very expensive lens - out of the realm of a lot of indy filmmakers who might like to shoot in 35.
So what we have instead are some seriously good primes and zooms intended for still cameras. Think of them as 'variable primes'.
And if you really have to have the zooms, we can do that, too. But at that point it's a PL kind of show (we can change the mount, but it's not something you want to do for just one or two shots).
